![]() ![]() ![]() The new automation system avoids that by not using MIDI at all. Logic's automation system has always been a bit of a problem insomuch as the MIDI Controllers required to drive it often conflicted with those used by plug‑in designers, which meant the program had to internally remap some Controllers to allow plug‑in automation to work. Mix AutomationĬlearly, Logic 5 is far more than just a set of tweaks to enable the program to work with Logic Control, but this is undeniably a major part of the focus of the new version, so I'll look at the main changes in the automation system first. Also, when pre‑version 5 songs containing Hyperdraw automation are opened, you get the option of converting this to the new automation format. There is, however, an 'Export as Version 4 Song' facility if you need backward compatibility. Old songs are converted to version 5 format when they are worked on, which means you can't reopen them in older versions of Logic. The old dongle won't work with version 5 and your existing Emagic plug‑in master CDs won't work either, so you have to trade them in for unlock codes before the demo period expires. Additional unlock codes will be provided when new Emagic plug‑ins are bought, so the days of having to insert master Emagic CD‑ROMs every few weeks are finally over. This way, users can try out all Emagic's software instruments and keep working while their old key is exchanged for a permanent licence code to unlock the new one. Existing users will need to return their old dongles plus the master CD‑ROMs of any Emagic plug‑ins they wish to use with Logic 5, but to prevent downtime during the changeover, the new key comes with everything validated for several weeks - even the plug‑ins you don't yet own. The new dongle, or 'XSKey' (Expandable System Key), is available only as a USB device, and not only protects Logic but also any other Emagic plug‑ins running on the system. Piracy is always a concern for software companies, and a new and significantly more robust copy‑protection system has been designed for Logic version 5 and onwards. These include Multiple Page View, a new step‑time input and editing facility (which works in the Score, Matrix and Event List windows), and the notation of aliases. The most visually striking of these is the ability to colour notes by pitch, velocity or musical part, but the important additions and tweaks are about making Logic a more serious contender as a high‑end notation package. The Score side of the program also includes a large number of improvements. The control buttons have been restyled, and the Matrix page includes shaded areas corresponding to the black keys to make note positioning easier. Visually, the only major differences between Logic 5 and its predecessors concern the new system of track automation, though the Arrange window background is now more user‑customisable. This is planned for a future revision later in the year. Note that Mac users need OS 9.1 or above to run version 5, but OS X support has not yet been implemented. All products in the Logic series now offer support for 24‑bit/96kHz recording. Logic 5 also supports (currently with some limitations) OMF audio file import from compatible programs so that imported audio is placed at the correct position on the timeline. ![]() Logic Control with XT sidecar expansion unit (left).Support for third‑party hardware has been improved, high‑end POW‑R dithering is included for smooth data word length reduction, various improvements have been made to the EXS24 sampler including the ability to use virtual memory when the onboard RAM isn't enough, and REX file support has now been added along with the ability to read SoundFont II and Sample Cell sample libraries. The top‑of‑the range Platinum reviewed here is still required in order to work with Digidesign Pro Tools hardware, and now includes three bundled virtual instruments. This now comprises Logic Audio (replacing Logic Silver), Logic Gold and Logic Platinum. With the exception of some plug‑ins and third‑party hardware support, the majority of improvements apply right across the 'professional' Logic range. It heralds the introduction of a new automation system, required for their Logic Control moving‑fader control surface, along with a raft of new plug‑ins and a generous smattering of smaller but important improvements throughout the program. Has it been worth the wait?Įmagic's long‑awaited Logic v5 is the culmination of more than a year's intensive R&D. Users of Emagic's Logic sequencer have been itching to get their hands on the latest version 5 and Logic Control, the company's dedicated moving‑fader control system. ![]()
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